Saint Janet Biography, Net Worth, Age, Husband, Daughter, Career and Lifestyle with every other informations you’ll definitely want to read about her, will be unleashed in this article.
Saint Janet’s real name is Omotoyosi Kayode Iyun Ajilore, but she’s been popularly called by her stage name St. Janet. She is known by her indigenous yoruba erotic lyrics, which had not seen or heard from a female artist before this era.
Saint Janet is very confident in her style of music and she never hide or feel shy of singing her type of song, she rather chose not to quit her raunchy music style.
It wouldn’t be kind of funny and surprising to most people when they hear or find out in this Saint Janet biography that Saint Janet was a gospel singer who’s very devoted, before she chose to switch her genre/ type of music, she left gospel music for erotic music. Lol!!! Kindly take your time to read the full gist and biography of Saint Janet that had been gathered by Talk49ja.
Table of Contents
Basic Information On Saint Janet Biography
| Real Name: | Omotoyosi Kayode Iyun Ajilore |
| Stage Name: | Saint Janet / S.t Janet |
| Nationality: | Nigeria |
| State Of Origin: | Ogun |
| City: | Abeokuta |
| Gender: | Female |
| Marital Status: | Married |
| Occupation: | Singer |
| Genre: | Solo / Fuji |
| Net Worth: | $50,000 |
| Religion: | Christianity |
| Instagram: | @St_Janet |
| Children: | Yes |
| Tattoo: | No |
Saint Janet Biography
Saint Janet Profile
The bipartite musical movement of Saint Janet is examined in this article (Saint Janet biography). It describes how Saint Janet, a Nigerian female pseudo-juju-gospel music practitioner, shifts from gospel music performances to what appears to be profane among the same gospel music audience in her search for a name and identity.
Her pursuit of fame, material gain, and identity, among other things, were discussed in this Saint Janet biography/ profile.
This article on Saint Janet biography investigates the motivation for such bipartite development using ethnographic approaches (key-informant interviews and participant-observation). This essay also made the case that musicians and music are subject to change due to the dynamic nature of culture, since a system’s quotidian relevance depends on how it is used on a daily basis.
It is not just the lyrics of the songs that are sexualized. The music itself is composed in a way that it is meant to evoke certain emotions. This can be seen from the way the music is composed, and also from the instruments used.
The use of these instruments can make listeners feel a sense of joy, or sadness, or anger, or pain, and so on. And when they feel these emotions they will want to listen to more of it because they associate it with those emotions. In this way, sexualized language in Saint Janet’s music becomes an addiction for some people.
The music of Saint Janet’s is a unique amalgamation of various styles and genres, with a focus on rhythm and blues. The lyrics are often sexualized, with the use of words like “cock” and “pussy.”
It is important to note that this is not the first time that this kind of language has been used in music. It has been used in many other songs by artists such as Madonna, Beyoncé, Britney Spears, Lil’ Kim, Nicki Minaj and Rihanna.
Saint Janet History
Saint Janet is the stage name of Janet Oluwatoyosi Ajilore Iyun, a pseudo-juju-gospel music performer from Nigeria. Her upbringing as a chorister in Cherubim and Seraphim (C&S), one of the African Indigenous Churches (AIC) in Nigeria, gave rise to the moniker “saint,” which was evident in her name.
This socio-religious encounter may play a significant role in Saint Janet’s bipartite musical journey, in which she alternates between hallowed gospel music and commercial erotica concerts.
She began her musical career in the Nigerian Cherubim and Seraphim movement’s church choir. Saint Janet started singing professionally as a back-up vocalist at the age of 15 under the direction of Segun Lawaye (a juju music artiste).
AIC is also known as the Aladura in Nigeria, particularly among Yoruba people in West Africa. These movements are renowned for the vigor and fervor with which they sing, dance, and perform musically.
One of the two well-known white garment church movements that are also members of the AIC in Nigeria is Cherubim and Seraphim (C&S); the other is the Celestial Church of Christ (CCC).
The intensity of their performances can be attributed to the old socioreligious institutions of Africa. Despite the inclusion of Western music, Loko & Loko (2012) describe the necessity of African folk song and performing techniques with African roots in the musical liturgical of the C&S.
These AIC include music as practically as they can into all facets of their lives since music in Africa has many different purposes.
Saint Janet came to the stage of juju musical performance, first as a backup singer and later starting on her own, because she found that singing in the C&S choir was unsatisfying. Even though she started performing juju-gospel music, she never lost sight of her church identity.
However, Saint Janet used explicit, obscene, vulgar, and pornographic lyrics in an effort to win over her fans and gain financial support.
Even in these erotica events, Saint Janet used a sneaky erotica technique in which gospel hymns are played or introduced first before filthy lyrics are introduced.
Adejube (2016) argues that these theme developments, which are hardly ever referred to as “gospel juju,” might be understood in light of her upbringing as a chorister in a white garment church associated with the “aladura movement.”
This is clear in the majority of her concerts, as she begins singing in songs with a “worship style of slow yet flowing speed” before transitioning into the exotic juju style for which she is well-known.
She switches between presenting church music and sensuality throughout the same performance, employing both euphemisms and dysphemism.
Saint Janet Net Worth
Saint Janet has an estimated net worth of $50,000 (fifty thousand dollars), which is equivalent to over #20,000,000 (twenty million dollars).
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